Zaha Hadid’s passing was a shock to the world of architecture and aficionados of great art alike. She brought a unique feminine mystique and perspective to the projects entrusted to her, never compromising a very distinct point of view. If the limits of engineering were tested by her ground-breaking building lines, the results undeniably became timeless. We’re including some of her greatest achievements here and a copy of a post from last year about her first project for New York City.
Heydar Aliyev Museum, Baku. © The Guardian
© European Institute of Social Security
MAXXI Museum Rome. © dexigner
Swim Stadium, London Olympics. © Clive Rose/Getty Images
Danjiang Bridge, 2015. © Zaha Hadid Architects
Pritzer Prize-winning architect Zaha Hadid unveiled her first project in New York City, a condominium at West 28th Street near the city’s High Line pedestrian park. Her characteristic materials, which bend into sensuous curves much like Frank Gehry’s titanium designs for the Guggenheim Bilbao and the Walt Disney Concert Hall in Los Angeles, are showcased spectacularly. The High Line’s Standard Hotel, which sits atop the park, has been that urban project’s focus for some time. It now has competition.
The Guggenheim, already a world-renowned institution, was propelled in the stratosphere with the opening of its Frank Gehry-designed Bilbao institution.
The architect took his talent for sensuous and curved titanium materials and applied it in ways we had never seen. Along the way, it also put Bilbao, Spain on the map in the world of cultural institutions. And even though Gehry adapted his trademark look for Walt Disney’s Concert Hall in Los Angeles, nothing could approach the groundbreaking look of his Guggenheim original. Imagine then the skipped heartbeats that took place when the famed museum launched a search for someone to design its latest location–in Helsinki, Finland.
Gehry’s Spruce Street building in New York City.
Kudos belong to the winner Moreau Kusonoki Architects which managed the same feat Gehry did but only by going in a completely different direction–that of understated, minimal elegance. Taking local materials and the Scandinavian art of simple, minimalist lines, Kusonoki’s winning design becomes part of the Finnish landscape, blending harmoniously in her surroundings. I’m counting the days to its opening so I can visit and experience first-hand this achievement.
The Whitney, the formal name of which is The Whitney Museum of American Art, has transformed itself, not just in terms of its new location, between New York City’s High Line and the Hudson River, but also because of its new home, designed by none other than Renzo Piano, an architect who recently designed the headquarters for the New York Times.
© The Whitney
Rather than taking his usual minimal approach and giving the museum sleek lines and wrapped in glass, the renowned architect went in a different direction altogether. It has received a lukewarm reception as the exterior appears like a hodgepodge of partially completed ideas which never are fulfilled. Missing is what many expected to be a grand statement, like Hearst Tower, for example, which rises in dramatic and modern fashion from it’s historically protected, street level entrance.
Herein lies Piano’s genius, however. What he has achieved is only appreciated once you enter the building. Missing are narrow and jumbled corridors and galleries separating people from one another. Instead, huge spaces and generous amounts of natural light flood greet you. In other words, don’t stand outside and simply admire the great architecture. Come in and experience the great art. Brilliant.
© The Whitney
No longer is The Whitney the adopted little step sister to the city’s Metropolitan Museum of Art, one of the world’s greatest art institutions, or The Guggenheim. Now, she sits at the dinner table on equal footing with the others.
It’s only drawback is the same that characterizes other urban collections of art–its inability to showcase truly large-scale works. The Paris branch of the Gagosian Gallery, however, can. The prize-winning architect Jean Nouvel designed the building which sits at 800 Avenue de l’Europe, Le Bourget in a former airplane hangar, near the French Air & Space Museum.
© 2013 / 14 Le Monde
As is typical with Nouvel’s work–he is, after all the genius behind Barcelona’s Torre Agbar and New York City’s Tower Verre / MOMA–the exterior is light, fluid, and experimental and more than hints at the great spaces within.
© 2013 / 14 Bloomberg
Pritzer Prize-winning architect Zaha Hadid has unveiled her first project in New York City, a condominium at West 28th Street near the city’s High Line pedestrian park. Her characteristic materials, which bend into sensuous curves much like Frank Gehry’s titanium designs for the Guggenheim Bilbao and the Walt Disney Concert Hall in Los Angeles, are showcased spectacularly. The High Line’s Standard Hotel, which sits atop the park, has been that urban project’s focus for some time. It now has competition.
© 2013 Zaha Hadid Architects